Frank D'Rone Sings + After the Ball (2 LP on 1 CD)
  • Mercury SR 60064
    Mercury SR 60064
  • Mercury SR 60246
    Mercury SR 60246
  • Frank D'Rone
    Frank D'Rone

Frank D'Rone

Frank D'Rone Sings + After the Ball (2 LP on 1 CD)

Fresh Sound Records

Personnel:
Frank D'Rone (vcl), Bill Russo (arr, cond), Billy May (arr), Benny Carter (cond), Conrad Gozzo, Joe Triscari, Don Fagerquist (tp), Milt Bernhart, Murray McEachern, Hoyt Bohanon (tb), Buddy Collette, Bud Shank (fl, as), Jules Jacob, Justin Gordon (ts), Chuck Gentry (bs), Dick Marx, Jimmy Rowles (p), Barney Kessel, Bobby Gibbons (g), Red Mitchell, Red Callender (b), Shelly Manne, Stan Levey (d)

Reference: FSR V201 CD

Bar code: 8427328642019

The Best Voices Time Forgot
Collectible Albums by Top Male Vocalists

· Collector's Edition
· 2 Original LPs on 1 CD
· Original Cover Art, Liner Notes
· Complete Personnel Details
· Stereo Recordings
· Newly Remastered in 24-Bit

Frank D’Rone (1932-2013) was no doubt the best in the second generation of singers that were influenced by Frank Sinatra. To be clear, one Frank does not sound like the other: even though D’Rone sang in the general area clarified by Sinatra’s pioneering style, he was very much his own man, both in style and selection of material. He wasn’t trite, and never trusted wornout favorites to conquer an audience. The proof’s in the pudding as they say, with the excellent choice of tunes included in his debut album “Sings”. His articulation, feeling, understanding and delivery of lyrical meaning is first class, in any of the three different settings he chose for his first album.

Accompanied alternatively by a swinging band, a lush brass orchestra, or a small group, his vocal ability is equally at home in ballads and up-tunes. The result is pure D’Rone. Frank’s second album, “After the Ball”, is full of energy. Clean, cheerful, sometimes witty, and with the swinging arrangements of Billy May, and the orchestral direction of Benny Carter, Frank’s magnificent voice flows along, betraying his enjoyment in singing and swinging. It is no surprise that the first time Nat King Cole heard him, he exclaimed: “This guy is really something!”

Album details

Sources:
Tracks #1-11, from the album “Frank D’Rone Sings” (Mercury SR 60064)
Tracks #12-23, from the album “After the Ball” (Mercury SR 60246)

Frank D'Rone, vocals in all tracks

Personnel on "Frank D'Rone Sings":
Tracks #1,3 & 6: Septet Arranged by Dick Marx
Trumpet, bass trumpet, tenor sax, baritone sax, piano, bass, drums.
Tracks #2,5 & 8: Orchestra Arranged & Conducted by Bill Russo
Five trombones; Kenny Soderblom, oboe; guitar; John Frigo, bass; drums.
Recorded at Universal Recording Co. Studio A, Chicago, February 1959
Tracks #4,7,9,10 & 11: Quintet
Bud Shank, flute and alto sax; Barney Kessel, guitar; Jimmy Rowles, piano; Red Mitchell, bass; Shelly Manne, drums.
Recorded at United Recorders, Hollywood, March 1959

Personnel on "After the Ball":
Orchestra Arranged by Billy May and Conducted by Benny Carter
Collective personnel includes: Conrad Gozzo, Joe Triscari, Don Fagerquist, trumpets; Milt Bernhart, Murray McEachern, Hoyt Bohanon, trombones; Buddy Collette, alto sax; Jules Jacob, Justin Gordon, tenor saxes; Chuck Gentry, baritone sax; Jimmy Rowles, piano; Bobby Gibbons, guitar; Red Callender, bass; Irv Cottler & Stan Levey, drums.
Recorded at United Recorders, Hollywood, February 8,9 & 10, 1960

Original recordings produced by Jack Tracy, Pete Rugolo & Nat Goodman
This CD release produced by Jordi Pujol

Stereo • 24-Bit Digitally Remastered

Press reviews

***** RINGER OF THE WEEK *****

"Spain-based Fresh Sound Records has been looking under rocks and fallen trees for lost or forgotten vocal sessions by lost or forgotten vocalists. A while back we went through a bunch of female vocalists, now we’re rolling out the red carpet for a male vocalist that everyone is going to want to get into, namely Frank D’Rone.

Who? EXACTLY! Like many singers of his era (late 50s), D’Rone (1932-2013) was influenced by Frank Sinatra, but what comes out more is a hint of Jack Jones, a touch of Mark Murphy, and even better, Jackie Paris. The  liner notes included a quote by Nat “King” Cole that states “This guy is really something!” And he was!

The first album from February, 1959 in Hollywood with a mix of septet and an orchestra arranged by Bill Russo. The small group included Bud Shank/as-fl, Barney Kessel/g, Jimmy Rowles/p, Rd Mitchell/b, and Shelly Manne/dr. Any questions? This setup includes a sublime “Everything Happens To Me” a hiply swinging “The Way You Look Tonight” and a suave “Joey, Joey Joey.” Russo’s charts call for a West Coast Cool “Yesterdays” and bluesy “Sophisticated Lady.” A hip band arranged by Dick Marx has a snappy “Love and the Weather” along with a sleek “I Could Write a Book.” Sign him up!

The album March of the same year in LA has an orchestra conducted by Benny Carter, with charts by no less than Billy May. The team is Basie Bold on “After The Ball” and both D’Rone and the band swaggers on “Oh! Look At Me Now!” The team gets Vegas lounge-ish for the cool “Let Me Love You” and D’Rone shows how to carry a torch on “We’ll Be Together Again” and “You’d Be So Nice To Come Home To”

Who knows why this guy didn’t catch on, but it sure wasn’t for lack of talent. He even appeared on Johnny Carson a few times later in life. Don’t lose out on this one; he’s a winner!"

George W. Harris (July 18, 2019)
http://www.jazzweekly.com

Price:

$12.31  (tax incl.)

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