The Swingin' Groove of Howard Roberts
  • Verve MG V8253
    Verve MG V8253
  • Verve MG V8305
    Verve MG V8305
  • Bert Dahlander
    Bert Dahlander
  • Howard Roberts
    Howard Roberts
  • Kapp KL-1055
    Kapp KL-1055
  • Kapp KXL 5001
    Kapp KXL 5001

Howard Roberts

The Swingin' Groove of Howard Roberts

Fresh Sound Records

Howard Roberts (g), Victor Feldman (vib, p), Pete Jolly, John T. Williams (p), Curtis Counce, Red Mitchell, Joe Mondragon (b), Bert Dahlander, Stan Levey, Jack Sperling, Jerry Williams (d)

Reference: FSRCD 963

Bar code: 8427328609630


When Howard Roberts (1929-1992) decided to teach himself guitar, he decided to visit every black jazz club in his native Phoenix, Arizona. “All we did was play the blues. And that’s what I came out of—the blues.” Roberts, however, felt the need to learn more about the complexities of the profession, and so he started studying harmony and composition.

Looking for more musical activity, he moved to Los Angeles in 1950, where he gigged around the city in jam sessions at after-hours clubs. There, he developed his dazzling technique and fine harmonic sense. Having played with the best instrumentalists and composers, he started getting calls for session work.

He established his reputation with the Bobby Troup trio, which appeared on TV from coast to coast, and consolidated the fame of Troup’s group with some brilliant playing of his Gibson guitar, so much so that the Down Beat jazz critics accorded Roberts the New Guitar Star Award of 1955.

In the years following he continued recording with top jazz singers and instrumentists, and eventually made his first albums as a leader for Verve. In 1959 Roberts started getting more and more work on TV and film, but not content with settling down in the Hollywood studios, in a kind of prosperous obscurity, he kept very active in the jazz scene, playing concerts and recording his own albums.

Howard Roberts was a skilled guitarist with a fondness for direct and unencumbered jazz playing, his tone always bright and penetrating, never twangy. A fine technician, he was able to execute difficult passages cleanly and forcefully. He forged a sound of his own, fiery and hard-swinging, creative and unpretentious. These sessions are an example of his jazz work, as a sideman and as a leader.

01. How Do You Do? (Bert Dahlander) 3:20
02. Johnson’s Wax (Terry Gibbs) 5:13
03. When the Lights Are Low (Carter-Williams) 5:07
04. Hip Soup (S.Swenson) 6:21
05. But Not for Me (G. & I. Gershwin) 3:58
06. Emma (Bert Dahlander) 5:47
07. Room 608 (Horace Silver) 4:17
08. Ballad Medley 6:28
-Everything Happens to Me (Dennis-Adair)
-Moonlight in Vermont (Blackburn-Suessdorf)
-Flamingo (Grouya-Anderson)
09. All the Things You Are (Kern-Hammerstein II) 2:41
10. Lover Man (Ramirez-Davis-Sherman) 4:28
11. Easy Living (Rainger-Robin) 4:05
12. Between the Devil and the Deep Blue Sea (Arlen-Koehler) 2:42
13. The Most Beautiful Girl in the World (Rodgers-Hart) 2:51
14. In a Little Spanish Town (Wayne-Lewis-Young) 2:23
15. I’ll Take Romance (Hammerstein-Oakland) 2:57
16. Zigeuner (Noel Coward) 4:17
17. Aunt Orsavella (John T. Williams) 2:25
18. Anything Goes (Rodgers-Hart) 2:30
19. Caribe (John T. Williams) 2:14

Album details

Tracks #1-8, from the album “Skål by Bert Dahlander and his Swedish Jazz”
(Verve MG V8253)
Tracks #9-12, from the album “Good Pickin's” (Verve MG V8305)
Tracks #13-16, from the album “The John Towner Touch” (Kapp KL-1055)
Tracks #17-19, from the album “Modern Jazz Gallery” (Kapp KXL 5001)

Personnel on #1-8: Howard Roberts, guitar; Victor Feldman, vibes & piano; Curtis Counce, bass; Bert Dahlander, drums.
Recorded at Radio Recorders, Hollywood, September 17, 1957

Personnel on #9-12: Howard Roberts, guitar; Pete Jolly, piano; Red Mitchell, bass; Stan Levey, drums.
Recorded at Radio Recorders, Hollywood, January 20, 1959

Personnel on #13-16: Howard Roberts, guitar; John T. Williams, piano; Joe Mondragon, bass; Jack Sperling, drums.
Recorded at Radio Recorders, Hollywood, October 3, 1956

Personnel on #17-19: Howard Roberts, guitar; John T. Williams, piano; Curtis Counce, bass; Jerry Williams, drums.
Recorded at Radio Recorders, Hollywood, November 2, 1956

Photography: X and © FSR Archives
Original recordings produced by Norman Granz (#1-12) and Albert Marx (#13-19)
New liner notes: Jordi Pujol
This compilation produced for CD release by Jordi Pujol
© 2018 by Fresh Sound Records

Hi Fi · 24-Bit Digitally Remastered
Blue Moon Producciones Discograficas, S.L.

Press reviews

"For those in the know, Howard Roberts was one of the most impressive six stringers around. He spent most of his career in the studios, backing artists like Julie London or June Christy, but he amassed an impressive catalogue all his own. Here, on this single disc you get him in vintage form in the mid to late 1950s in hip small band settings. A ’57 quartet with John T. Williams/Curtis Counce/b and Jerry Williams/dr or with Williams, Joe Mondragon/b and Jack Sperling/dr have Roberts waxing eloquent on “The Most Beautiful Girl in the World” and “Anything Goes.” With West Coast studs Pete Jolly/p, Red Mitchell/b and Stan Levey from ’59, the team is soulful on “Easy Living” with Roberts using extreme tast eon “Lover Man.” With Counce, Bert Dahlander/dr and Victor Feldman on vibes and piano, Roberts digs in the deepest, with the strings and vibes bouncing delightfully on “How Do You Do” and “Hip Soup.” Roberts is a master of swinging melody on Horace Silver’s “Room 608” and is gorgeously lithe during “When Lights Are Low.” Guitarists like Roberts, such as Barney Kessel and Herb Ellis, were the epitome of style and clever swinging; this album reminds you of an era sadly missing today. You’ll never tire of this one."

—George W. Harris (August 20, 2018)


9,95 €  (tax incl.)

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