Rearin' Back + Tribute To Ellington (2 LP on 1 CD)
  • Argo LPS-709
    Argo LPS-709
  • Verve V6-8837
    Verve V6-8837
  • Sonny Stitt
    Sonny Stitt

Sonny Stitt

Rearin' Back + Tribute To Ellington (2 LP on 1 CD)

Fresh Sound Records

Sonny Stitt (as, ts), Ronnie Mathews, Lou Levy (p), Arthur Harper, Paul Chambers (b), Lex Humphries, Stan Levey (d)

Reference: FSRCD 776

Bar code: 8427328607766


Recorded in 1962, Rearin' Back was one of the most acclaimed albums Sonny Stitt made during his most prolific recording years 1959-1963. In addition to contributing some fine improvising on alto sax, Stitt composed five of the seven tunes here. Rearin Back is a calypso-flavored piece, Cut Plug and Carpsies Groove are blues, the latter making use of a march rhythm, while Queen and Bunny R. are attractive, medium-tempoed compositions.

On We, written by drummer Denzil Best in the 40s, Stitt solos brilliantly, conceiving and executing extremely complex passages so easily that some have come to take his work for granted, while his more contemplative side is reflected on Little Girl Blue. And, throughout the date, pianist Ronnie Mathews shows impeccable judgment and taste.

Tribute to Ellington finds Stitt, on alto and tenor saxophones, with a superb Lou Levy-Paul Chambers-Stan Levey driving rhythm section. This happily swinging session took place in Los Angeles in 1960, and has been included here on CD for the first time. The tunes are all Duke Ellington classics, and resulted in an album of vigor and more than passing interest, with Sonny Stitt playing with airy swinging assurance, enveloped in a warm, piercing tone, and invested with the burnished sheen and accessibility of a master saxophonist.

—Jordi Pujol

01. Rearin' Back (Sonny Stitt) 5:13
02. We (Woods-Sherman-Tobias) 4:03
03. Little Girl Blue (Rodgers-Hart) 3:35
04. Cut Plug (Sonny Stitt) 4:14
05. Queen (Sonny Stitt) 7:02
06. Carpsie's Groove (Sonny Stitt) 5:09
07. Bunny R. (Sonny Stitt) 6:11
08. Don't Get Around Much Anymore (Ellington-Russell) 4:30
09. I Let a Song Go Out of My Heart (Ellington-Mills-Nemo) 4:06
10. Do Nothin' Till You Hear from Me (Ellington-Russell) 5:08
11. C Jam Blues (Duke Ellington) 4:24
12. Solitude (Ellington-DeLange-Mills) 5:18
13. It Don't Mean a Thing (If It Aint Got That Swing) (Ellington-Mills) 5:13
14. I'm Beginning to See the Light (George-Hodges-James-Ellington) 6:54
15. Perdido (Tizol-Lengsfelder-Drake) 5:36
16. Sophisticated Lady (Ellington-Parish-Mills) 1:58

Album details

Tracks #1-7, from the album "Rearin' Back" (Argo LPS-709)
Tracks #8-16, from the album "Previously Unreleased Recordings" (Verve V6-8837)

Personnel on "Rearin' Back":
Sonny Stitt, alto saxophone; Ronnie Mathews, piano; Arthur Harper, bass; Lex Humphries, drums.
Recorded at Ter Mar Recording Studios, Chicago, September 24, 1962

Personnel on "Tribute to Ellington":
Sonny Stitt, alto sax, tenor on #10,11,13; Lou Levy, piano; Paul Chambers, bass; Stan Levey, drums.
Recorded at Radio Recorders, Los Angeles, June 20, 1960

Recording engineers Ron Malo (#1-7) and Val Valentin (#8-16)
Original recordings supervised by Esmond Edwards (#1-7) and Russell Garcia (#8-16)
This CD release produced by Jordi Pujol
© 2013 by Fresh Sound Records

Stereo · 24-Bit Digitally Remastered
Blue Moon Producciones Discograficas, S.L.

Press reviews

"Sonny Stitt was cursed for sounding and performing solos on alto identically like Charlie Parker, although the former claims to have created his style independently. For my money, his tone is light years better than Birds, and his work on tenor (featured here on a handful of tunes) ranks up with Dexter Gordon in terms of snap and power. These two sessions find him in a previously unreleased 60 tribute to Ellington with Lou Levy/p, Paul Chambers/b and Stan Levey/dr, glowing on alto on Solitude and sighing gloriously on I Let a Song Go Out of My Heart. Better still are his tenor trips on C Jam Blues and Do Nothin Till You Hear From Me. This is swing-to-bop heaven. The 62 session has him on a gorgeously sounding alto with Ronnie Matthews/p, Arthur Harper/b and Lex Humphries/dr, and hes him swerving like a Nascar driver on Calypso Groove and We while shining like a full moon on Little Girl Blue. Timeless art!"

George W. Harris (July 8, 2013)


9,95 €  (tax incl.)

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