Complete Trio Sessions
  • AFSD-5875
  • AFLP-1874
  • Bev Kelly
    Bev Kelly

Pat Moran

Complete Trio Sessions

Fresh Sound Records

Pat Moran (p), Scott LaFaro (b), Johnny Whited (d), Beverly Kelly (vcl)

Reference: FSRCD 440

Bar code: 8427328604406

In the Fifties, the depths of the Maryland Hotel near Chicagos northside housed a cellar known as the Cloister Inn, a room best known as a showplace for fine, fresh jazz potentials. Such was the case of young pianist Pat Morans trio with vocalist Bev Kelly. In December 1957, for few weeks, the now legendary Scott LaFaro was the trios featured bass player, and during his engagement Audio Fidelity Records grabbed the opportunity to record the trio.

In 1960, LaFaro said that he didnt like to look back, because the whole point in jazz is doing it now. I dont even like any of my records except maybe the first one I did with Pat Moran on Audio Fidelity. Sparked by Morans solid piano and complemented by the tremendous energy, youthful spirit and unlimited talent of Scott LaFaro, along with the fine work of drummer Johnny Whited, the combo, with vocalist Bev Kelly on several tracks, produced a succession of highly zestful and appealing interpretations.

01. Making Whoopee (Donaldson-Kahn) 5:23
02. In Your Own Sweet Way (Dave Brubeck) 5:00
03. Onilosor (Frank Rosolino) 4:09
04. Come Rain Or Come Shine (Arlen-Mercer) 5:32
05. Collard Greens and Black-Eyed Peas (Oscar Pettiford) 3:28
06. I Could Have Danced All Night (Lerner-Lowe) 3:26
07. Yesterdays (Harbach-Kern) 4:28
08. Blues (Moran-Frey) 4:03
09. The Man I Love (G. & I. Gershwin) 3:00
10. I Get A Kick Out Of You (Cole Porter) 3:21
11. I Wish I Knew (Harris-Young) 2:11
12. You Don't Know What Love Is (Raye-DePaul) 3:56
13. I'm Glad There Is You (Madeira-Dorsey) 4:25
14. Sometimes I'm Happy (Youmans-Caesar-Gray) 3:16
15. You And The Night And The Music (Schwartz-Dietz) 2:27
16. But Not For Me (G. & I. Gershwin) 3:41
17. Embraceable You (G. & I. Gershwin)4:46
18. Lover Come Back To Me (Romberg-hammerstein II) 2:46
19. Someone To Watch Over Me (G. & I. Gershwin) 2:47
20. Goodbye (Gordon Jenkins) 4:02

Album details


The tracks on this CD compilation were originally released on two Audio Fidelity LP albums, #1-8 on AFSD 5875, and #9-18 on AFLP 1874. These are the only recordings in these two albums to feature Scott LaFaro. As a bonus, it has also included two piano solos (#19-20) from AFSD 5875

Despite it has often been stated that the drummer on these sessions was Gene Gammage, according to Bev Kelly it was Johnny Whited, Pat Moran's regular drummer.

Pat Moran (piano), Scott LaFaro (bass), Johnny Whited (drums), Bev Kelly (vocals on #9-18).
All tracks recorded in Chicago, December 1957

Original sessions produced by Sidney Frey
Produced for CD reissue by Jordi Pujol
© 2007 by Fresh Sound Records

Stereo · 24-Bit Digitally Remastered
Blue Moon Producciones Discograficas, S.L.

Press reviews

"If you are familiar with the name Pat Moran, you know your Chicago mainstream jazz from the late '50s. A wonderful stylist molded in the musical post-bop-to-cool visage of a Red Garland, Wynton Kelly, or Bill Evans, Ms. Moran played spirited standard fare, and on this CD interpretations of Dave Brubeck's "In Your Own Sweet Way," Oscar Pettiford's "Collard Greens and Black-Eyed Peas," and the simple "Blues," all of which advance well beyond mere cocktail lounge background music. This reissue, originally from the Audio Fidelity label releases This Is Pat Moran and Beverly Kelly Sings, features Moran's bright piano on American popular songs for four of the eight tracks with her trio, including the vaunted bassist Scott LaFaro. Two years after these sessions, LaFaro would join the trio of Bill Evans, and was killed in a car accident two years after that in the summer of 1961.

Also included in the instrumental fare is an obscure Frank Rosolino composition, "Onilosor," which perfectly showcases LaFaro's tight, innovative bass wizardry. Bev Kelly, a skilled singer in the Anita O'Day tradition, has at it for another ten songs and sounds great, and Moran ends the affair with two solo piano performances. A precious bit of history from that great and enduring year in jazz, 1957, this extra-special document should make all listeners wish they had heard more of Moran and Kelly, not to mention the immortal Scott LaFaro, who reflected on this date as one of his most memorable and enjoyable."

Michael G. Nastos (All Music Guide)


9,95 €  (tax incl.)

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