Maynard Ferguson (tp, v-tb, Frh), Rick Kiefer (tp), Dusko Goykovich (tp), Nat Pavone (tp), Don Roane (tb), Kenny Rupp (tb), Lanny Morgan (fl, as), Willie Maiden (ts), Frank Vicari (ts), Ronnie Cuber (bs), Mike Abene (p), Rufus Jones (d), Don Sebesky (arr)
Reference: FSRCD 2010
Bar code: 8427328620109
01. Chicago (Fred Fisher)
02. Gravy Waltz (Ray Brown)
03. Cherokee (Ray Noble)
04. One O'clock Jump (Count Basie)
05. Bossa Nova De Funk (Willie Maiden)
06. Whisper Not (Benny Golson)
07. Take The "A" Train (Billy Strayhorn)
08. At The Sound Of The Trumpet (Ferguson-Maiden)
09. Maine Bone (Abene)
10. Watermelon Man (Herbie Hancock)
11. Danny Boy (Traditional)
12. Groove (Oliver Nelson)
13. Country Boy (Bill Homan)
14. We're Got A World That Swings (Mattis-Brown)
15. Naked City Theme (Billy May)
16. Blues For A Four String Guitar (Elmer Bernstein)
17. I'm Getting Sentimental Over You (Bassman-Washington)
18. New Hope (Don Rader)
19. Come Blow Your Horn (Van Heusen-Cahn)
20. Antony And Cleopatra Theme (Alex North)
Recorded in Long Island, New York, 1964
"The sound was not all that new but the label was as Maynard Ferguson and his orchestra, which had just concluded a long association with Roulette, switched briefly to Cameo. The big band was still in prime form, playing both swing standards and originals with power, swing and spirit. In addition to Ferguson's screaming trumpet, altoist Lanny Morgan, Willie Maiden and Frank Vicari on tenors, baritonist Ronnie Cuber and pianist Mike Abene are heard from prominently while Abene, Maiden and Don Sebesky contribute most of the arrangements. This rare LP (which has not yet been reissued on CD) is worth the search."
Scott Yanow -All Music Guide
When he debuted with Stan Kenton's Orchestra in 1950, Maynard Ferguson could play higher than any other trumpeter up to that point in jazz history, and he was accurate. Somehow he has kept most of that range through the decades and since the 1970s has been one of the most famous musicians in jazz. Never known for his exquisite taste (some of his more commercial efforts are unlistenable), Maynard Ferguson has nevertheless led some important bands and definitely made an impact with his trumpet playing.
After heading his own big band in Montreal, Ferguson came to the United States in 1949 with hopes of joining Kenton's orchestra, but that ensemble had just recently broke up. So instead, MF gained experience playing with the big bands of Boyd Raeburn, Jimmy Dorsey and Charlie Barnet. In 1950 with the formation of Kenton's Innovations Orchestra, Ferguson became a star, playing ridiculous high notes with ease. In 1953 he left Kenton to work in the studios of Los Angeles and three years later led the all-star "Birdland Dreamband." In 1957 he put together a regular big band that lasted until 1965, recorded regularly for Roulette (all of its recordings with that label are on a massive Mosaic box set) and performed some of the finest music of Ferguson's career. Such players as Slide Hampton, Don Ellis, Don Sebesky, Willie Maiden, John Bunch, Joe Zawinul, Joe Farrell, Jaki Byard, Lanny Morgan, Rufus Jones, Bill Berry and Don Menza were among the more notable sidemen.
After economics forced him to give up the impressive band, Ferguson had a few years in which he was only semiactive in music, spending time in India and eventually forming a new band in England. After moving back to the U.S., Ferguson in 1974 drifted quickly into commercialism. Young trumpeters in high school and colleges were amazed by his high notes but jazz fans were dismayed by the tasteless recordings which resulted in hit versions of such songs as the themes from Star Wars and Rocky and much worse. After cutting back on his huge orchestra in the early '80s, Ferguson recorded some bop in a 1983 session, led a funk band called High Voltage during 1987-88 and then returned to jazz with his "Big Bop Nouveau Band," a medium-sized outfit with which he still tours the world. Although MF's range finally started to shrink a little in the 1990s, he is still an enthusiastic and exciting player.
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