Chico O'Farrill (tp), Héctor Hallal El Arabe (as), César Molina (tp)
Reference: FSRCD 356
Bar code: 8427328603560
"We would like to warmly recommend this album for its intrensic importance and for the historical significiance that it will have for Latin America. If louis Armstrong lives on in the memory of his successors as the Pioneering Mind of Jazz, Chico O'Farrill and Héctor Hallal (El Arabe), can be considered without doubt the Forefathers of Jazz in Latin America."
Chico O'Farrill and His Orchestra feat. Héctor Hallal "El Arabe" and César Molina
1. Granada (A.Lara) 2:30
2. Stella By Starlight (Young-Washington) 2:22
3. Dream (J.Mercer) 3:18
4. Undecided (C.Shavers) 2:40
5. How Long Has This Bean Going On (G.Gershwin) 3:12
6. Jungle Moon (Gilbert-Norman-Archer) 2:01
7. Around the World (Young) 2:07
8. They Didn't Believe me (J.Kern) 2:12
9. Tuya Soy (M.Alma) 2:56
10. It's Not For Me to Say (Stillman-Allen) 2:18
11. Drume Negrita (E.Grenet) 2:24
12. Canto Karabali (Lecuona) 2:09
Héctor Hallal "El Arabe" and His Orchestra
13. Anything Goes (C.Porter) 2:28
14. Serenade in Blue (H.Warren) 3:02
15. Somebody Loves Me (De Sylva-Gershwin-Henderson) 1:58
16. I Had the Craziest Dream (H.Warren) 2:52
Recorded in Mexico, 1958.
"Born in Cuba, Chico O'Farrill began his musical career as a trumpeter. However his writing skills were so strong that, by the time he moved to the United States in the late 1940s, he worked primarily as an arranger-composer. His exciting Afro-Cuban charts for his own groups, Machito, Benny Goodman and others were stirring, historic and innovative. In 1957 O'Farrill moved to Mexico where he carved out a career for himself during the next eight years in which he mostly did commercial work. This particular set, recorded in 1958, reissues one of his first Mexican sessions. The results are primarily melodic dance music, using cool-toned players and closer to Count Basie musically than to Dizzy Gillespie. The performances are quite concise, leaving very little room for soloing other than from altoist Hector "El Arabe" Hallal and guest trumpeter Cesar Molina. O'Farrill is also heard in brief spots on trumpet but the emphasis is on the ensembles of the mostly unidentified studio orchestra which also occasionally includes strings. The final four selections are from El Arabe's own similar orchestra during the same period. Except for the wavering soprano on "Serenade in Blue," the music overall is pleasant, pleasing and danceable without ever really catching fire."
- Scott Yanow, All Music Guide
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