In May 1953, a sprightly 23-year-old girl by the name Ruth Price took the audience at Birdland by surprise when she jumped on stage to sing with the Johnny Smith trio. Ruth, a recent discovery of Charlie Ventura’s manager Don Palmer, hailed from Phoenixville, Pennsylvania, where she was born in 1930.

She was a former ballet dancer and had only switched to singing recently. A month later though, Ruth was back to dancing, mostly because her reputation as a ballerina cast enough of a shadow that no club believed she was serious about singing jazz. Luckily, at Palmer’s suggestion, in the summer of 1954 Ruth found herself singing with the Charlie Ventura quintet for about a week, replacing regular singer Mary Ann McCall who was on sick leave. This was Ruth’s first major job, and even though it was only a sub, it opened the doors to a number of club engagements.

In 1955 she signed for Kapp Records, and her first album for the label was "My Name is Ruth Price… I Sing," an extremely encouraging debut for a young woman who was just turning 25. We hear a Ruth full of fresh swing, with fine control, good range and even better phrasing, capable of delivering sensitive interpretations of the lyrics in a variety of approaches.

A year later a second album for the label followed. It was titled "The Party's Over," and in many ways it confirmed her best qualities, expanding on the many facets of her talents. Her assured delivery of each tune leaves little doubt that, despite the initial concerns of club owners, Ruth Price actually was —by nature— a jazz singer.

Ruth Price has had an extraordinary life dedicated to jazz. As a fine singer with inimitable style and as founder and artistic director of The Jazz Bakery, Ruth’s flair and determination have reached the ears and hearts of many jazz fans around the world. The "Live and Beautiful" album was recorded at The Scene club in Hollywood, when, in April 1963, Ruth sang there accompanied by the Victor Feldman trio.

Of her vocal talents, in the words of Leonard Feather, “Miss Price considers herself a diseuse, but she is much more than that. Her intimate delivery will never bring her to the record charts or the Inglewood Forum, but so much the better. Her destiny is a small room among friends, or at least a few quiet customers, hanging on to her every word.”

—Jordi Pujol (From the liner notes of FSRV 130 and FSRV 137)